When writers talk about their antagonist, they usually mean the person working against their protagonist. The obstacle in the way of him or her getting what they want.

What often happens though, is that the antagonist becomes just one more requirement of the story. And the result is the antagonist feels manufactured.

A story does need some opposing force in order to create drama, tension, and suspense. 

But we never want the antagonist to feel like it’s a mere plot device.

The reader will never buy that, and the story will likely fall flat. And the structure won’t hold.

You do need some oppositional force in your story. And there are many ways to do that.

But the antagonist is so much more than opposition. And understanding what an antagonist actually is — and what makes one truly worthy — might be the single most important craft decision you make about your story.

In this episode, I’m exploring three qualities every worthy antagonist needs. Because when your antagonist has all three, your story comes alive in a way that surprises even you.

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Episode At A Glance

 

1. A believable antagonist is specific and embodied

Sometimes the antagonist is a system. An institution. A belief your character was born into. The patriarchy. Racism. A toxic family dynamic. A religion. Or societal pressures. 

These are real, formidable antagonists. But they need to be made concrete and specific.

They should be embodied in particular people, moments, particular scenes where they actively interfere with what your protagonist needs.

2. A believable antagonist has an inner life

The antagonist is the hero of their own story. Your antagonist believes they’re justified. They have reasons. They have a worldview. They have something they need and something they’re afraid of losing.

You have to know your antagonist as deeply as you know your protagonist.

When you understand what’s driving your antagonist underneath their behavior, everything changes. They stop being a placeholder and start being a person — or a force — that readers can’t dismiss. And that’s exactly what makes them believable. 

3. A believable antagonist is connected to your protagonist’s deepest wound

A worthy antagonist doesn’t just block the goal. They press on the exact place where your protagonist is most vulnerable. They threaten the thing your protagonist is most afraid of losing. They embody the fear your protagonist has been running from since the first page.

Links Mentioned In This Episode

Lessons in Chemistry by Bonnie Garmus

Ordinary People by Judith Guest

3-Act Worksheet

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