<

What makes dialogue feel real? It’s not what you think.

In this episode, I’m sharing three techniques that will transform how you write every conversation in your manuscript. You’ll learn what creates believable dialogue and exactly how to apply these techniques in your own work.

Download as an MP3 by right-clicking here and choosing “save as.”

Episode at a glance:

 

[02:56] Give Each Character a Competing Agenda

This is the fastest way to energize any conversation. Make sure each character wants something different from the exchange, not necessarily opposite things, not necessarily conflicting things, just different things.

Here’s the key people rarely enter conversations with the same goal. One person wants reassurance, the other wants to end the conversation and get back to work. One person wants to confess something, the other wants to avoid emotional intensity. One person wants to connect, the other wants to win. When characters have competing agendas, even a simple conversation about dinner plans becomes interesting because each person is trying to steer the conversation toward their own objective.

[06:44] Let Characters Misunderstand Each Other

Real people constantly misunderstand and misinterpret each other. We hear things through our own fears, insecurities, past experiences, and assumptions. We project, we mishear, we fill in gaps with our own interpretation. Your characters should too. The most interesting dialogue happens when characters think they’re having the same conversation, but they’re actually having completely different ones. They’re responding to what they think the other person means, not what was actually said.

[09:38] Use Subtext 

This is what separates good dialogue from great dialogue. Subtext means the real conversation is happening underneath the surface conversation. Your characters are talking about one thing, but they’re actually talking about something else entirely.

Sometimes characters should just say what they mean. But for your most important emotional scenes, ask yourself, what’s the conversation beneath the conversation? Just make sure your reader can feel what’s really happening. The reader should understand more than the characters do. They shouldn’t understand less. Then let your characters dance around it. Let them approach it sideways. Let them talk about something else or talk in metaphors while they’re really talking about the thing that matters.

Links Mentioned In This Episode:

Little Fires Everywhere by Celeste NG

Normal People by Sally Rooney

The Complete Short Stories of Ernest Hemingway

👉 If this episode helped you, please share it with another writer who needs encouragement. And don’t forget to subscribe on your favorite podcast app so you never miss an episode.

Rate, Review, and Follow on Apple Podcasts.

“I love Writer Unleashed!” If that sounds like you, please consider rating and reviewing my show. This helps me support more writers — just like you —to bring the story burning in their imagination onto the page.  Click  here, scroll to the bottom, tap to rate with five stars, and select “Write a Review.” Then be sure to let me know what you loved most about the episode!

Also, if you haven’t done so already, follow the podcast. It’s chock full of writing tips and inspiration every Tuesday. Follow now!

 

Subscribe to Writer Unleashed and never miss an episode.

Pin It on Pinterest